Hello, blog–it has been too long. Here’s a bit of a catch up as to what I’ve been up to.
Since I’ve last written, trees have shifted into full fledged fall color and many have begun to lose leaves in the blustery gusts that are this city’s namesake. The gusts lately have a new feeling to them, a sense of the cold winter air that will be here soon enough. Even the last few warm days seemed to be a reminder that much colder temperatures are on their way, whether we’re ready for them or not. Winter is certainly coming has been a phrase muttered a lot over this week (and not just because of a recent casting of our seminar as Game of Thrones characters)–cold weather is coming and with it, deadlines.
While moving forward, my thought process these last few weeks has felt a lot like this:
If I could try to describe the feeling of the last two weeks and feeling overwhelmed by not a lack of ideas, but an abundance of them, the sound and feeling elicited by the sound of dial up internet would be pretty accurate…yep. For a while now, I’ve felt that my research would be better utilized in making a catalog of the 40+ items I paged for future researchers to use rather than any synthesis and claims that forced, but expected for this paper. As interested as I was–and still am–in marginalia and the titles that I’d seen, my work felt forced and like I was attempting to write without any passion anymore. And when you’re starting to feel like that, sometimes you just need to take some time to think about something else, talk to dear friends, and watch The West Wing. It finally feels like thoughts have stopped buffering and started to load.
This week has seen more processing of notes and working on articulating my focus as I’ve gotten through some more transcriptions of annotated volumes that I’m going to write extensively on. Over the course of this week I stumbled upon two–well–three things that have shifted my focus and course of this project. First: the fashionable practice of cryptography in early modern England. Because of the abundance of symbols and images, I tracked down two articles on early modern cryptography. While I’d be surprised if any of the annotations I’m studying are elaborate codes that require “cracking”, I was struck while reading these articles how similarly this field read to how I’ve been thinking about marginalia and that a lot of the same factors (the idea of universal communication, writing with intention that those who should read would be able to, fashioning oneself to fit a model, the magnitude of a reciprocal relationship between an author and reader are just a few of the early ideas that first came to mind again; more on these again soon.)
Second: this week for a large part has been going back and processing photos and notes of the main volumes I know I will use in my focus. A book central to this paper is The Courtyer of Count Baldessar Castilio printed in 1561. This copy was annotated heavily by at least two hands; the majority of these notations are claimed by Gabriel Harvey, an annotator who signs and leaves his initials throughout the volume–some notes are even dated. I began research last week into who Harvey was and was astounded to find a lot of scholarship completed on his life and shockingly–his annotations. While there will be a lot more about Harvey and his notes and doodles soon to follow (and as a major section of this paper), I’ve found that one of his notes has been instrumental in how I’m framing this project. This note is scrawled on one of the last pages of the volume; the blank page is filled with his hand in English, Latin, and Greek.
No excellent grace, or fine cumlie behaviour without three cunning properties; a sound judgment to informe; an apt dexterite to conforme; & an earnest intention to performe.
[transcribed in original spellings; direct page numbers are yet to come for this unnumbered book–apologies for no more specific annotation currently]
This line captures motivations that I believe marginalia plays into as an action taken to inform, conform, and perform. With the realization of the similarities to cryptography and the concepts summarized in this contemporary annotation, my topic’s focus has evolved into a look at how marginalia (at least for some early modern English annotators) was more than a peripheral reaction to works and was an action to assert oneself into the company of the fashionably learned of the era. I set out into the writing process with a new focus, a new thesis, and a new attitude.
Oh, and the third gamechanger? An hour long loop of an instrumental version of The Rains of Castamere. 🙂



